10,000 Hours

March 21, 2008
A couple weeks ago I was listening to the Diane Riehms Show on NPR and a guy was talking about his new book about modern craftsmanship. In an earlier time craftsmanship was all about carpenters and masons and bricklayers, and it still is today, but he went on to suggest it applied to many things today including science and cooking, etc.
Since I worked as a cytogenetics technologist for years, I can attest to this. It takes time and practice and repetition to get good at a number of things, including pipetting, analyzing chromosomes or harvesting cells. It's also something that physicians, who often spend a couple weeks in a lab, think, "This is easy, anybody can do it," and move on, taking their attitudes with them. When, in fact, the technologists doing that work have a skill that's been honed by hours of practice and most of the time the physicians were so slow and awkward you'd fire their ass within a week if they didn't get it together. Yes, on the surface it's easy; down in the day-to-day trenches, not so much. The distance between "familiarity" and "mastery" is very far indeed.
Anyway, he made a comment that the number bandied about required to master most crafts--say, playing the cello, for instance--was 10,000 hours.
I immediately thought of the oft-repeated suggestion that in order to become a competent novelist you needed to write 1,000,000 words, which probably does come into that 10,000 hour figure somewhere, maybe.
And the truth is, I know this. I was a music teacher. I know that sometimes, in order to learn a complicated piece of music (and even non-complicated piece of music), you need to repeat it dozens of times. Yes, it's boring. Yes, it's repetitious. Get over it. There aren't any short cuts unless you're a freakin' genius.
I had this hammered home recently. I'm a 1st degree brown belt in Sanchin-Ryu karate. The next belt level is black. I "know" all the basics (10), combined basics advanced--CBAs (10), and pretty much know all ten forms. I know the moves. I know what they're about. But...
Last weekend I went to a 3-hour workshop conducted by Chief Grand Master Dearman, who developed the style, and one of the things we as brown belts were working on was what you might call Kumite 101. Kumite essentially means fighting, but he was introducing us to what he feels are the best way to enter into this very complicated thing. So we teamed up with 2 or 3 other people. One person was in the middle and the 2 or 3 people stood around you, holding one hand about head level and the other hand down around waist level--those were our targets. Then they began to slowly revolve around the person in the middle. The middle person's job was to do our 10 CBAs fluidly and hit our targets. This is, frankly, amazingly difficult. Not only to actually do it, but to stay calm during it, and to REMEMBER THE 10 CBAs!
And the CBAs aren't really, generally, that complicated. 3 or 4 moves for each. For instance, the first one is a cross-body punch followed by a backfist. In other words, what we were asked to do was about 40 moves in a row, fluidly without falling apart, in order, while people moved around us, and by this time, we probably have known these moves for 3 or 4 or 5 years.
What this drove home for me was it was time to start drilling myself on everything I know--to increase the repetitions. To take time during the week to do each basic or CBA or form 10 times or 20 times or 50 times each. That it was time to get away from "familiarity" and move toward "mastery."
So where am I going with this?
If you want to be a professional writer--fiction or nonfiction or poetry or whatever--you're going to have to put in the time. You're going to have to write a lot--a million words, maybe. A lot of it will be crap. A lot of it will never see the light of day. You'll need to move through "familiarity" to "mastery" and in between those two there's a fair amount of boredom and frustration.
I once heard somebody suggest that no writing was ultimately wasted, that it was all part of those million words (or 10,000 hours) and I think that--and "ultimately" may be the key word here--this is true.
So, how many hours do you have in?
And have a good holiday, if this is one you celebrate.
Cheers,
Mark Terry



14 Comments:
Hi Mark:
I had honestly NEVER thought about this. But . . . .
I shared once or twice on my blog, or maybe even here, that when my second or third book came out, the Ft. Lauderdale paper did a profile on me--and as such wanted to interview my agent. And my dad. Why my dad, I have no idea. But they did and he agreed to after I warned him to not saying anything bad about me. :-)
The reporter quoted ME saying that because I sold my first completed novel I was "lucky" and it felt like this magical overnight thing. And my DAD went on and on to the reporter that I was denigrating YEARS (and I mean more than a decade) of writers' groups and writing short stories and writing, writing, writing, and editing, and learning . . . that it was far from this overnight thing. So yeah, I put in TEN years, minimum, of learning craft before I even THOUGHT of sending out Spanish Disco. That novel, at age 30-something seemed to "write itself"--it flowed THAT easily. So it seemed magical in terms process. But there were a million words before it.
E
Mark, I saw an interview with the man who has that TV show "Inside the Actor's Studio" (I forget his name!) - he said it takes a writer 20 years to learn their craft, before they reach a level of proficiency before they get to a professsional level.
I've been writing for 20 years and now finally having success. Either way, you've got to pay your dues.
Still, a great many writers get published due to factors beyond merit - they may get published because they networked, but they probably won't stay published for very long - lots of "one-hit-wonders" out there in writerville.
I have read a lot of books that strike me--and I don't think this is sour grapes--as being written by amateurs. Typically this is first novels and they often have some natural storytelling skill and a great hook, but their actual writing just isn't all that good.
I'm talking mostly about word for word, line by line writing here, because that's a very useful skill that falls into craftsmanship and I think it can probably be learned if you want to put in the time.
Storytelling and narrative issues, well, I'm not sure if simply practice makes it work or not. Maybe.
Oh, it's James Lipton, who if you have the chance to listen to his Diane Riehm's interview promoting his memoir, you will be shocked at some of the things he did in his life that seem in stark contrast to the seemingly pretentious, intellectual he comes off as.
Ohmigod, ohmigod, ohmigod!!!! You're breaking my heart. You're breaking my heart. God. You made me cry. I LOVE martial arts, but I hurt my foot a year and a half back, and I can't even walk up and down steps normally, yet, let alone return to TKD. *sigh*
THIS, I saw, I think, if I'm envisioning it correctly. Are you saying it's like doing your forms, but with contact with real human beings? (That is SO cool!)
Oh wait, three or four moves. We've done that, too! I forget what we call them. (Number One! Number Two!) That's cool. We only did it that fun way in one of my first classes, and I practiced them ten times each every night so I'd be able to do it if we did it that way again. (We didn't.)
That is just the coolest. That is SO cool. My school is going to Korea this summer. I'm not kidding when I say it's breaking my heart I can't go.
Anyway, I've sold close to 800,000 words, so I'm not there yet. Even considering all the words I've deleted, I don't think I'm there. If you add in blog posting and the journal files I have, yeah, probably. Still plenty of work to do. And I've only been writing for eight years.
I'm gonna do some forms before I go writing. I can do a couple, if I'm easy on the foot. Gosh, you are SO lucky!
Have you read Mastery by George Leonard, yet? It's written by a guy who runs a martial arts studio/s. Pretty cool.
I probably don't write enough. But what I always wonder is how much good does it do if you are, say, just repeating the same mistakes? It seems to me that people can practice doing things the wrong way and just strengthen their bad habits.
Spy
--Sanchin-Ryu is, I'm not quite sure how to say this without unintentionally insulting Sanchin-Ryu--a much softer style than, say, TDK. It doesn't have to be soft, but it's not really kick oriented, although there are plenty of kicks in there, and it tends (in my experience) to be a frontal style--ie., no side stance, no side kicks, you fight straight on and back. So there are people with disabilities and other problems that remain in the style, which does not do competitions, therefore it's a martial art, not a martial sport.
And yes, in sanchin-ryu there are 10 basics (ichi punch, ni kick, san punch, which is essentially an uppercut to the solar plexus), etc. Then 10 combined basics advanced, so you have combinations, essentially, the cross-body punch followed by a backfist; the upperbody san followed by a hammer fist to the side followed by a crossbody kick. In a way, when you do the 10 of them fluidly without stopping in between, you've got a form. Forms, there are 10, typically have 20 to 30 moves. Then you get into katas, (of which there are 10, followed I guess by 10 weapons katas, followed by, I guess, 10 "animal" katas, but I'd have to be about 120 years old before I got them, so I'm not worried about those). Katas seem to have about 100 moves and since they're really only taught at the black belt level, they're taught differently (mostly, okay, let's go through this. Lost? Well, maybe next time you see it you'll catch more.)
Eric,
That's a good point. I suspect I would have benefited greatly with a mentor of some sort, rather than hundreds of pre-written rejection notes from agents and editors. Even today I think I would benefit from somebody saying, "You know, you're moving the plot along, but I'm just not connecting to the character. Maybe if you did..."
No, not lost at all. That's really cool. You should YouTube us a video, sometime! That sounds awesome.
I'm nowhere near 10K hours, wow. Your story about martial arts made me think of my experience with salsa dancing.
I first started dancing eight years ago and in the beginning I had to count out the steps every time I set foot on the floor. I took a two-month class and that drilled the "basic", as we call it, into my head. Once I stopped counting and just moved with the music I went on to more and more complicated moves.
I always beginners not to worry about fancy turns until they master the basic, and that can be translated right back to what you're saying. Thanks for putting writing in that perspective for me.
Spy
http://sanchinsystems.com/dojo.html
You can check out a bunch of instructional videos for just a couple bucks. I don't know of any just up somewhere, but I'm looking.
Thanks! I watched the sample from the 1st DVD. Very cool. (And I'm hoping that by the time I hit one million words, I'll have a synonym for "cool.")
Unrelated, that website, strictly judged as a website, really kicks ass. I mean, wow. And all with WordPress?!!
Yeah, I think the sanchinsystems online dojo website is less than a year old and it's pretty amazing. They've done a real nice job with their video content.
Hi, Mark. Using your metric, I'm just starting my third 10K hour stretch as a writer.
Probably not worth getting excited about in my case. I am proof that the 10K mark does not a competent novelist make.
Still, it's cheaper than therapy.
How Not to...
Good luck. I'm not always sure it's better than therapy. :))
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